Bigfoot | Elephant Print | Black and White Wall Art

from US$250.00

Wildlife Photographer of the Year

Winner Nature in Black and White

Peter's day didn't start well.

It was cold. He was sitting in a hide near a waterhole in South Africa's Mapungubwe Game Reserve, Limpopo, and he had forgotten not only his short lens but also his coffee flask. 'To say I was a little irritated would be an understatement,” he says, adding that the irritation was magnified when a huge herd of elephants came within 20 meters (65 feet) of the hide. 'The elephants were playing and bathing, but the only thing I could do was shoot close-ups.' Soon, though, Peter became so engrossed in the detail of texture, tone, and light that nothing else mattered. 'It made me realize that sometimes we can be spoilt by too much choice of equipment, and how creativity can often emerge from constraint.'

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Wildlife Photographer of the Year

Winner Nature in Black and White

Peter's day didn't start well.

It was cold. He was sitting in a hide near a waterhole in South Africa's Mapungubwe Game Reserve, Limpopo, and he had forgotten not only his short lens but also his coffee flask. 'To say I was a little irritated would be an understatement,” he says, adding that the irritation was magnified when a huge herd of elephants came within 20 meters (65 feet) of the hide. 'The elephants were playing and bathing, but the only thing I could do was shoot close-ups.' Soon, though, Peter became so engrossed in the detail of texture, tone, and light that nothing else mattered. 'It made me realize that sometimes we can be spoilt by too much choice of equipment, and how creativity can often emerge from constraint.'

Wildlife Photographer of the Year

Winner Nature in Black and White

Peter's day didn't start well.

It was cold. He was sitting in a hide near a waterhole in South Africa's Mapungubwe Game Reserve, Limpopo, and he had forgotten not only his short lens but also his coffee flask. 'To say I was a little irritated would be an understatement,” he says, adding that the irritation was magnified when a huge herd of elephants came within 20 meters (65 feet) of the hide. 'The elephants were playing and bathing, but the only thing I could do was shoot close-ups.' Soon, though, Peter became so engrossed in the detail of texture, tone, and light that nothing else mattered. 'It made me realize that sometimes we can be spoilt by too much choice of equipment, and how creativity can often emerge from constraint.'

 

Printed on Hahnemühle Photo Rag

This powerful image is printed on Hahnemühle Photo Rag, a luxurious 308gsm fine art paper renowned for its rich texture and exceptional quality. Its matte surface perfectly enhances the depth and detail of black-and-white photography, ensuring unparalleled clarity and timeless beauty. Crafted with archival standards, this museum-quality paper guarantees exceptional longevity, preserving the artwork's brilliance for generations.

Loose Unframed Print

This artwork is presented as a loose, unframed print, offering you the flexibility to select the perfect frame to complement your space and style. Made with fade-resistant, acid-free materials, it maintains its integrity over time, ensuring that your investment in fine art endures.

 
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